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Click On An Image To View The Bodies Of Work
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I let myself be coaxed by others into putting color in my drawings. It wasn't easy or automatic or even obvious. In fact, it was quite difficult to introduce a whole new realm into my familiar, meditative process. Having survived the ordeal I can now say it's a thrilling place to be, exploring a new realm. My father, Tommie Rybovich, had an exquisitely precise sense of color, which sets the stage for a new kind of meditation.
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There’s a distinct shift toward the abstract in these works of various sizes. I went from studying bodyprints at a distance of 20 feet to peering through a magnifying glass and, as a result, became enchanted with the texture of the paper and the designs it suggested. These are more soft-spoken than their big, full-bodied sisters; they offer only subtle hints of what they want to be.
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